The artwork's backdrop is a masterclass in the "罩漆磨顯" (cover and grind) technique, where a delicate layer of hyper-realistic phoenix tree leaf patterns emerge from the deep, polished black lacquer canvas. This meticulous process lends an air of mystique and sophistication to the piece.
Dominating the foreground, the meticulously rendered phoenix tree leaves provide a harmonious counterpoint to the vivid red phoenix flowers. At the centre of each bloom, a mother-of-pearl inlaid pistil casts a delicate luminescence, punctuating the night's serenity with a subtle sparkle.
Positioned elegantly in the upper-left corner, a dragonfly hovers, its wings catching the light with a subdued shimmer. This exquisite detail is realized using the revered Maki-e technique, or "sprinkled picture." This ancient craft entails precisely layering metallic powders upon wet lacquer, culminating in detailed and captivating visuals.
The lustrous finish of the black lacquer background speaks to the meticulous craftsmanship involved, achieved through over 30 rigorous steps.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
The artwork's backdrop is a masterclass in the "罩漆磨顯" (cover and grind) technique, where a delicate layer of hyper-realistic phoenix tree leaf patterns emerge from the deep, polished black lacquer canvas. This meticulous process lends an air of mystique and sophistication to the piece.
Dominating the foreground, the meticulously rendered phoenix tree leaves provide a harmonious counterpoint to the vivid red phoenix flowers. At the centre of each bloom, a mother-of-pearl inlaid pistil casts a delicate luminescence, punctuating the night's serenity with a subtle sparkle.
Positioned elegantly in the upper-left corner, a dragonfly hovers, its wings catching the light with a subdued shimmer. This exquisite detail is realized using the revered Maki-e technique, or "sprinkled picture." This ancient craft entails precisely layering metallic powders upon wet lacquer, culminating in detailed and captivating visuals.
The lustrous finish of the black lacquer background speaks to the meticulous craftsmanship involved, achieved through over 30 rigorous steps.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
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About the Artwork
The artwork's backdrop is a masterclass in the "罩漆磨顯" (cover and grind) technique, where a delicate layer of hyper-realistic phoenix tree leaf patterns emerge from the deep, polished black lacquer canvas. This meticulous process lends an air of mystique and sophistication to the piece.
Dominating the foreground, the meticulously rendered phoenix tree leaves provide a harmonious counterpoint to the vivid red phoenix flowers. At the centre of each bloom, a mother-of-pearl inlaid pistil casts a delicate luminescence, punctuating the night's serenity with a subtle sparkle.
Positioned elegantly in the upper-left corner, a dragonfly hovers, its wings catching the light with a subdued shimmer. This exquisite detail is realized using the revered Maki-e technique, or "sprinkled picture." This ancient craft entails precisely layering metallic powders upon wet lacquer, culminating in detailed and captivating visuals.
The lustrous finish of the black lacquer background speaks to the meticulous craftsmanship involved, achieved through over 30 rigorous steps.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
