Would you have imagined that the material used to shape this elegantly crafted masterpiece is neither wood, porcelain, nor metal? Astonishingly, it's constructed entirely of lacquer. Creating such a marvel involves an intricate sequence of over 100 meticulously executed steps. This time-honoured, laborious tradition boasts a legacy that stretches back to the Tang Dynasty (618 to 906 A.D.). Objects created using this technique are a paradox — feather-light yet remarkably robust, designed to withstand the tests of time for countless generations.
The masterpiece showcases the use of a symphony of ancient artistic techniques. The backdrop is an exquisite example of the "罩漆磨顯" (cover and grind) technique, allowing for the gentle revelation of elegantly fluid calligraphy set against the abyssal sheen of black lacquer. This intricate method infuses the piece with a sense of sophistication and mystique.
The vase's rich red upper section masterfully incorporates the revered rhinoceros leather lacquer. This craft juxtaposes the raw allure of rhinoceros leather with the gleaming finish of lacquer, culminating in a singular aesthetic that resonates with art enthusiasts.
The artwork's plum blossoms and curvaceous branches, ornamented with a solitary bird, are rendered through the revered Maki-e technique, or "sprinkled picture." This ancient art demands the meticulous sprinkling of coloured powders upon the wet lacquer canvas, manifesting intricate and riveting visuals.
The composition is elegantly encapsulated, evoking the serenity of a pastoral spring scene seen through an ornate windowpane. An elegant bird, alighted upon a fragile branch adorned with plum blossoms, completes this pastoral scene — a poetic nod to the rejuvenation of spring and nature's eternal renaissance.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
Would you have imagined that the material used to shape this elegantly crafted masterpiece is neither wood, porcelain, nor metal? Astonishingly, it's constructed entirely of lacquer. Creating such a marvel involves an intricate sequence of over 100 meticulously executed steps. This time-honoured, laborious tradition boasts a legacy that stretches back to the Tang Dynasty (618 to 906 A.D.). Objects created using this technique are a paradox — feather-light yet remarkably robust, designed to withstand the tests of time for countless generations.
The masterpiece showcases the use of a symphony of ancient artistic techniques. The backdrop is an exquisite example of the "罩漆磨顯" (cover and grind) technique, allowing for the gentle revelation of elegantly fluid calligraphy set against the abyssal sheen of black lacquer. This intricate method infuses the piece with a sense of sophistication and mystique.
The vase's rich red upper section masterfully incorporates the revered rhinoceros leather lacquer. This craft juxtaposes the raw allure of rhinoceros leather with the gleaming finish of lacquer, culminating in a singular aesthetic that resonates with art enthusiasts.
The artwork's plum blossoms and curvaceous branches, ornamented with a solitary bird, are rendered through the revered Maki-e technique, or "sprinkled picture." This ancient art demands the meticulous sprinkling of coloured powders upon the wet lacquer canvas, manifesting intricate and riveting visuals.
The composition is elegantly encapsulated, evoking the serenity of a pastoral spring scene seen through an ornate windowpane. An elegant bird, alighted upon a fragile branch adorned with plum blossoms, completes this pastoral scene — a poetic nod to the rejuvenation of spring and nature's eternal renaissance.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
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About the Artwork
Would you have imagined that the material used to shape this elegantly crafted masterpiece is neither wood, porcelain, nor metal? Astonishingly, it's constructed entirely of lacquer. Creating such a marvel involves an intricate sequence of over 100 meticulously executed steps. This time-honoured, laborious tradition boasts a legacy that stretches back to the Tang Dynasty (618 to 906 A.D.). Objects created using this technique are a paradox — feather-light yet remarkably robust, designed to withstand the tests of time for countless generations.
The masterpiece showcases the use of a symphony of ancient artistic techniques. The backdrop is an exquisite example of the "罩漆磨顯" (cover and grind) technique, allowing for the gentle revelation of elegantly fluid calligraphy set against the abyssal sheen of black lacquer. This intricate method infuses the piece with a sense of sophistication and mystique.
The vase's rich red upper section masterfully incorporates the revered rhinoceros leather lacquer. This craft juxtaposes the raw allure of rhinoceros leather with the gleaming finish of lacquer, culminating in a singular aesthetic that resonates with art enthusiasts.
The artwork's plum blossoms and curvaceous branches, ornamented with a solitary bird, are rendered through the revered Maki-e technique, or "sprinkled picture." This ancient art demands the meticulous sprinkling of coloured powders upon the wet lacquer canvas, manifesting intricate and riveting visuals.
The composition is elegantly encapsulated, evoking the serenity of a pastoral spring scene seen through an ornate windowpane. An elegant bird, alighted upon a fragile branch adorned with plum blossoms, completes this pastoral scene — a poetic nod to the rejuvenation of spring and nature's eternal renaissance.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
