In this masterpiece, the vase's base is crafted entirely of lacquer and without traditional materials like porcelain, wood, or metal – a painstaking endeavour that involves over 100 intricate steps. This esteemed craft traces back to the Tang Dynasty (618 to 906 A.D.) and has thrived for over a millennium. Such lacquer-based creations are not only featherlight but also remarkably durable, bearing the potential to withstand the test of time.
At the centre, a vibrant peony emerges, realized with exceptional precision through the adept application of gold foil. This meticulous technique requires impeccable timing to affix the foil seamlessly. Subsequently, translucent layers of lacquer, tinted in a warm amber hue, are methodically layered on. Each coat is strategically applied to achieve the desired depth, culminating in petals that shimmer with a lifelike luminosity.
Within the radiant bloom, a pistil inlaid with mother-of-pearl shines brilliantly, lending a touch of ethereal vibrancy against the backdrop of golden petals.
Gracing the vase's upper segment is a gentle dusting of gold powder, which unveils subtle tones evocative of aged bronze. This feature elegantly harmonizes with the vase's radiant lacquer finish, epitomizing the nuanced sophistication inherent in such artistry.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
In this masterpiece, the vase's base is crafted entirely of lacquer and without traditional materials like porcelain, wood, or metal – a painstaking endeavour that involves over 100 intricate steps. This esteemed craft traces back to the Tang Dynasty (618 to 906 A.D.) and has thrived for over a millennium. Such lacquer-based creations are not only featherlight but also remarkably durable, bearing the potential to withstand the test of time.
At the centre, a vibrant peony emerges, realized with exceptional precision through the adept application of gold foil. This meticulous technique requires impeccable timing to affix the foil seamlessly. Subsequently, translucent layers of lacquer, tinted in a warm amber hue, are methodically layered on. Each coat is strategically applied to achieve the desired depth, culminating in petals that shimmer with a lifelike luminosity.
Within the radiant bloom, a pistil inlaid with mother-of-pearl shines brilliantly, lending a touch of ethereal vibrancy against the backdrop of golden petals.
Gracing the vase's upper segment is a gentle dusting of gold powder, which unveils subtle tones evocative of aged bronze. This feature elegantly harmonizes with the vase's radiant lacquer finish, epitomizing the nuanced sophistication inherent in such artistry.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
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About the Artwork
In this masterpiece, the vase's base is crafted entirely of lacquer and without traditional materials like porcelain, wood, or metal – a painstaking endeavour that involves over 100 intricate steps. This esteemed craft traces back to the Tang Dynasty (618 to 906 A.D.) and has thrived for over a millennium. Such lacquer-based creations are not only featherlight but also remarkably durable, bearing the potential to withstand the test of time.
At the centre, a vibrant peony emerges, realized with exceptional precision through the adept application of gold foil. This meticulous technique requires impeccable timing to affix the foil seamlessly. Subsequently, translucent layers of lacquer, tinted in a warm amber hue, are methodically layered on. Each coat is strategically applied to achieve the desired depth, culminating in petals that shimmer with a lifelike luminosity.
Within the radiant bloom, a pistil inlaid with mother-of-pearl shines brilliantly, lending a touch of ethereal vibrancy against the backdrop of golden petals.
Gracing the vase's upper segment is a gentle dusting of gold powder, which unveils subtle tones evocative of aged bronze. This feature elegantly harmonizes with the vase's radiant lacquer finish, epitomizing the nuanced sophistication inherent in such artistry.
An art form with an allure that intensifies over time, lacquerware can be likened to a vintage wine that only gets finer with age. It’s by every measure a cultural artifact, with roots tracing back thousands of years in the East.
Crafted through a series of intricate steps, lacquerware emanates a sophisticated glow that's simultaneously majestic and understated. Its unique sheen, an interplay of luxury and elegance, has charmed global connoisseurs, evident in cherished pieces such as Chanel's iconic black lacquer screen or Jaeger-LeCoultre's polished lacquer dials.
Today, the torchbearer of this ancient craft is Wang Ching-Shuang, a luminary in Taiwan recognized as a "Living National Treasure." Together with his sons, Wang Xianzhi and Wang Xianmin, and grandson, Wang Junwei, they passionately uphold and further the rich traditions of lacquer artistry.
This multi-generational family not only preserves the foundational techniques of lacquer but also brings a contemporary touch with their refined artistic flair and discernment. They rejuvenate this age-old craft by seamlessly merging historical nuances with modern sensibilities. Each masterpiece they produce is a testament to their unwavering commitment to maintaining and enhancing the timeless appeal of lacquerware.
